Updates from Taplow Choirs

Children’s Choir sing in Platinum Jubilee concert

Young Taplow Choirs members were privileged to sing in the UK premiere of a work by Cecilia MacDowall, in St George’s Chapel, Windsor Castle.

Last evening, the 16 children in the photo below made us very proud. They sang the Children’s Choir role in the UK premiere of Jubilate Deo, a work by Cecilia MacDowall. The performance took place in St George’s Chapel, Windsor Castle.

It was a great privilege to be chosen for this prestigious concert with four local adult choirs. They also joined in Walton’s arrangement of the National Anthem and ‘We’ll Meet Again‘ accompanied by the Orpheus Orchestra.

Gillian

Taplow Choirs at Windsor Castle

Platinum Jubilee Concert – A Celebration of Music
7:30pm, Friday 3 June 2022


This special event, celebrating The Queen’s Platinum Jubilee, was a celebration in music of this remarkable and unique anniversary. The programme included music from around the United Kingdom used on royal occasions, written during The Queen’s Reign, and premiered at this concert.

 Programme:

Ulrich Roever & Michael KorbHighland Cathedral
HandelZadok The Priest
Cecilia McDowallJubilate (UK Premiere)
Vaughan WilliamsPrelude on Rhosymedre
WaltonTouch her soft lips, and part, from Henry V
BernsteinChichester Psalms
Interval 
ParryI was Glad
ElgarNimrod
WoodFantasia on British Sea Songs arr. Chilcot
WaltonNational Anthem

 Compere, Conductor and Performers

ComperePetroc Trelawny
ConductorOliver Gooch
OrchestraOrpheus Sinfonia
SopranoMiriam Allan
Counter-tenorTom Lilburn
Jubilee Singers comprising members ofQuire Voices, Voci, Cantorum, Windsor & Eton Choral Society and Lay Clerks of St George’s Chapel
WithTaplow Children’s Choir

Taplow Youth Chamber Choir depart for York Tour 2022

Gillian Dibden introduces the 2022 combined choirs York Tour: “Even getting onto the coach together has felt like a momentous occasion.”

Concert dates

  1. 12:30pm, Monday 18th April 2022
    Selby Abbey
  2. 5:30pm, Tuesday 19th April 2022
    York Minster
  3. 7:00pm, Thursday 21st April 2022
    St Mary’s Priory Church, Old Malton
  4. 5:30pm, Friday 22nd April 2022
    Southwell Minster

Introduction

by Gillian Dibden MBE

We are all particularly excited about this mini-tour. Even getting onto the coach together – with music, luggage, and friends – has felt like a momentous occasion. The last two years have been a challenge for everybody, and this is how we have come through it.

The first Coronavirus lockdown, in March 2020, put on pause our choral development, with singing suddenly viewed as a dangerous activity. It was hard to bear both the silencing of voices, and the resultant effect on the fellowship that music brings.

In September 2020 we started up again with rehearsals outdoors, which we found extremely difficult with young voices, and not possible at all in the dark! We did a kind of ‘stop/start’ run of rehearsals, in accordance with changing government advice.We missed the continuity and progress we are used to, and most of all we missed the opportunity to sing to others.

Early rehearsals in 2021 were all on Zoom. I had really not wanted to do this; it seemed contrary to the magic of rehearsing together, loving the sound that we make, and ‘living’ the harmonies. However, I was very lucky that a senior member of our choirs was incredibly skilled with the Zoom process, and her expertise carried us through.

We managed four separate concerts for our four choirs in June 2021: short recitals, with the audience bringing their own chairs into the churchyard. The atmosphere was joyful. Our audiences had been longing to hear us again, and these proved to be truly memorable evenings.

I cannot thank our parents enough for the way that they have supported us. They did everything, from monitoring social-distancing about this mini-tour. Even getting to sanitising absolutely everything we might onto the coach together – with have touched.They were marvellous.

Rehearsals in a cold church, with the large doors wide open, were not particularly comfortable – but this was what was required, during this unique period. Our finances have been hit hard, but membership numbers have mostly stayed up: we are just about coping, despite the virus causing unpredictable levels of absence from one rehearsal to the next.

Having come through truly the most disruptive experience of a long teaching career so far, I seek to renew, and continue to find the best opportunities for our young singers. I am supported by excellent colleagues, including David Manners (a tenor lay clerk at St George’s Chapel,Windsor Castle), who has worked with our choirs very successfully for many years.Though a more recent addition, Ben de Souza has proved himself to be highly valued as a voice coach, sectional leader, and conductor. I am therefore delighted that he is able to work closely with the choir in this series of performances.

We are loving our music and the real sound of the choir has returned. Already we have had highlights: participation in the ‘Gabrieli Roar’ project, a joint evensong with Eton College Chapel Choir, the resumption of our annual evensongs at Windsor Castle, and staging concerts in a real auditorium setting. We know there is a future for our music and our choirs – and, with broad smiles, we are grasping it with both hands.

Gillian Dibden MBE
Director,Taplow Choirs April 2022


Programme

TGC ‘Lift Thine Eyes’ virtual recording

Taplow Girls’ Choir give a ‘virtual choir’ performance of Mendelssohn’s ‘Lift Thine Eyes’, from ‘Elijah’.

Taplow Girls’ Choir members come together in a ‘virtual choir’ recording of ‘Lift Thine Eyes’. 

This piece, from Felix Mendelssohn’s oratorio ‘Elijah’, is traditionally performed by a trio of singers – but here is sung in three-part harmony by members of our Girls’ Choir, with an average age of just 13.

Click here to watch and share on Facebook.

See here for more virtual choir recordings from Taplow Choirs.

Posture warm-up exercise

Good posture is an essential part of high-quality music-making. As we await the return of rehearsals, Lucy Morris offers this fun vocal warm-up – for our younger singers – as a reminder of the best positions for singing.

When you come back in September, or whenever it may be, I hope you’ll still remember all the different positions and their names.

Lucy Morris

Just as for rehearsals at Taplow Village Centre, participants will need a chair. Then, follow Lucy’s direction in the video below, as she cycles through the different positions.

  1. Standing up: feet apart, shoulders apart
  2. Sitting tall: straight back, sat at the front of your chair
  3. Sitting slouched: lazily reclining in your chair
  4. One hand on heads, the other on hips
  5. Dinosaur hands
  6. Jazz hands

Lucy’s lockdown singing tutorials

In the absence of regular rehearsals, Lucy Joy Morris leads virtual singing tutorials for younger voices.

Lucy Joy Morris provides teaching sessions for Taplow Children’s Choir and Taplow Boys’ Choir.

Here, in the absence of regular rehearsals, she leads virtual singing tutorials for Bing Bong Song and Baby One.

Bing Bong Song’
Baby One

See more of Lucy’s tutorials here.

Taplow Choirs alumni: united remotely in lockdown

Taplow Choirs alumni delighted Gillian Dibden with an unexpected gift: a ‘virtual choir’ performance of Charles Villiers Stanford’s ‘Heraclitus’.

In the depths of lockdown, former members of Taplow Youth Choir delighted their erstwhile leader, Gillian Dibden, with an unexpected gift: a ‘virtual choir’ video, with alumni singing Charles Villiers Stanford’s setting of Heraclitus.

The brainchild of Ben de Souza, who sang with the Youth Choir between 2010 and 2015, the project took less than a fortnight to coordinate.

 

Continue reading “Taplow Choirs alumni: united remotely in lockdown”